A superhero horrorĭeath Note has many issues, but there’s much to recommend. And we don’t know nearly enough about the background and motivations of his partner in crime, Mia. Light’s cop father is also a very likable character with potentially more to him than we’re allowed to see. There’s also that surprising emotional response to an occurrence during the film’s final act. But Wingard simply teases us with just a glimpse at his backstory and an intriguing relationship with a mentor figure. We also don’t get to find out as much about the enigmatic detective on his trail as we’d like. And perhaps a closer look at the Kira victims might also have made the story more engaging.
FINAL DESTINATION 1 REVIEW SERIES
Perhaps if the film had been turned into a series we would have seen more of these aspects as the story unfolded, and a more complex plot woven in. Plus, there’s little emphasis on the individual supporters and cults that spring up worshipping Kira as some kind of god. The scale of the killing and its impact is glossed over. But in doing so, they’ve diminished the parts that make the story unique and supremely intriguing.
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It’s easy to see why they went that route – they presumably wanted to appeal to a teen audience that loves that template. However, in Death Note, director Adam Wingard – he of You’re Next, V/H/S and 2016’s Blair Witch – truncates things to the point where the story’s most interesting moments are afforded only a passing nod.įeeling more like the film trying to fit the Final Destination mould than standing alone as its own thing is like punching itself in the gut. Now, that’s not a bad thing in itself – tweaking the story for the screen and a new audience is something that most page-to-screen adaptations do.
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While this isn’t unheard of – and it looks like Netflix could have plans to expand the Death Note universe – it does mean that the film misses out some of the narrative strands manga fans might have been hoping to see. An adaptation of the manga by Netflix, this US version distills some 108 chapters of story into a feature-length film.